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Wiertz (1806-1865), whose collection of works is to be seen in Brussels, was a partial exposition of romanticism mixed with a what-not of eccentricity entirely his own. Later on came a comparatively new man, Louis Gallait (1810-?), who held in Brussels substantially the same position that Delaroche did in Paris. His art was eclectic and never strong, though he had many pupils at Brussels, and started there a rivalry to Wappers at Antwerp. Leys (1815-1869) holds a rather unique position in Belgian art by reason of his affectation. He at first followed Pieter de Hooghe and other early painters. Then, after a study of the old German painters like Cranach, he developed an archaic style, producing a Gothic quaintness of line and composition, mingled with old Flemish coloring. The result was something popular, but not original or far-reaching, though technically well done. His chief pupil was Alma Tadema (1836-), alive to-day in London, and belonging to no school in particular. He is a technician of ability, mannered in composition and subject, and somewhat perfunctory in execution. His work is very popular with those who enjoy minute detail and smooth texture-painting.

That there is a close likeness between all these bodies is obvious from the fact that when any of them is strongly heated, or allowed to putrefy, it gives off the same sort of disagreeable smell; and careful chemical analysis has shown that they are, in fact, all composed of the elements carbon, hydrogen, oxygen, and nitrogen, combined in very nearly the same proportions. Indeed, charcoal, which is impure carbon, might be obtained by strongly heating either a handful of corn, or a piece of fowl's flesh, in a vessel from which the air is excluded so as to keep the corn or the flesh from burning. And if the vessel were a still, so that the products of this destructive distillation, as it is called, could be condensed and collected, we should find water and ammonia, in some shape or other, in the receiver. Now ammonia is a compound of the elementary bodies, nitrogen and hydrogen; therefore both nitrogen and hydrogen must have been contained in the bodies from which it is derived.

As opposed to all this is the Chinese lack of flexibility. Contrast a Chinaman and a Japanese after each has been in America a year. The one to all appearances is an American; his hat, his clothing, his manner, seem so like those of an American that were it not for his small size, Mongolian type of face, and defective English, he could easily be mistaken for one. How different is it with the Chinaman! He retains his curious cue with a tenacity that is as intense as it is characteristic. His hat is the conventional one adopted by all Chinese immigrants. His clothing likewise, though far from Chinese, is nevertheless entirely un-American. He makes no effort to conform to his surroundings. He seems to glory in his separateness.


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