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William Blake (1757-1827) was hardly a painter at all, though he drew and colored the strange figures of his fancy and cannot be passed over in any history of English art. He was perhaps the most imaginative artist of English birth, though that imagination was often disordered and almost incoherent. He was not a correct draughtsman, a man with no great color-sense, and a workman without technical training; and yet, in spite of all this, he drew some figures that are almost sublime in their sweep of power. His decorative sense in filling space with lines is well shown in his illustrations to the Book of Job. In grace of form and feeling of motion he was excellent. Weird and uncanny in thought, delving into the unknown, he opened a world of mystery, peopled with a strange Apocalyptic race, whose writhing, flowing bodies are the epitome of graceful grandeur.

Many of the smaller species of fishes, upon leaving these winter resorts, ascend small, clear brooks in large numbers for the purpose of depositing their eggs; as, when hatched in such a place, the young will be comparatively free from the attacks of the larger carnivorous forms. Among the lowest vertebrate often found in numbers in early spring in these meadow rills and brooks is the lamprey, _Ammocoetes branchialis_ (L.), or "lamper eel," as it is sometimes called. It has a slender eel-like body, of a uniform leaden or blackish color, and with seven purse-shaped gill openings on each side. The mouth is fitted for sucking rather than biting, and with it they attach themselves to the bodies of fishes and feed on their flesh, which they scrape off with their rasp-like teeth. Later in the season they disappear from these smaller streams, probably returning in midsummer to deeper water. Thoreau, who studied their habits closely, says of them: "They are rarely seen on their way down stream, and it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature to the scenery of the river bottoms worthy to be remembered with Shakespeare's description of the sea floor."

The fresh-water mussels and snails and the crayfish burrow deep into the mud and silt at the bottom of ponds and streams where they lie motionless during the winter. The land snails, in late autumn, crawl beneath logs, and, burrowing deep into the soft mould, they withdraw far into their shells. Then each one forms with a mucous secretion two thin transparent membranes, one across the opening of the shell and one a little farther within, thus making the interior of the shell perfectly air-tight. There for five or six months he sleeps, free from the pangs of hunger and the blasts of winter, and when the balmy breezes of spring blow up from the south he breaks down and devours the protecting membrane and goes forth with his home on his back to seek fresh leaves for food and to find for himself a mate.


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