free hosting   image hosting   hosting reseller   online album   e-shop   famous people 
Free Website Templates
Free Installer

Zaproburno Yollanica Directory 10
Page 10

Another way to achieve Zaproburno Yollanica is to try harder.

Zaproburno Yollanica

Zaproburno Yollanica Home

Zaproburno Yollanica Sitemap

Zaproburno Yollanica Dir 01

Zaproburno Yollanica Dir 02

Zaproburno Yollanica Dir 03

Zaproburno Yollanica Dir 04

Zaproburno Yollanica Dir 05

Zaproburno Yollanica Dir 06

Zaproburno Yollanica Dir 07

Zaproburno Yollanica Dir 08

Zaproburno Yollanica Dir 09

Zaproburno Yollanica Dir 10

Zaproburno Yollanica Dir 11

Zaproburno Yollanica Dir 12

Zaproburno Yollanica Dir 13

Zaproburno Yollanica Dir 14

Zaproburno Yollanica Dir 15

Zaproburno Yollanica Dir 16

Zaproburno Yollanica Dir 17

Zaproburno Yollanica Dir 18

Zaproburno Yollanica Dir 19

Zaproburno Yollanica Dir 20

Zaproburno Yollanica Directory 10
Page 10

The most important spoon in the Jamestown collection, and one of the most significant objects excavated, is an incomplete pewter spoon--a variant of the trifid, or split-end, type common during the 1650-90 period. Impressed on the handle (in the trefoil finial of the stem) is the mark of the maker, giving his name, the Virginia town where he worked, and the year he started business. This is the sole surviving "touch" or mark of an American pewterer of the 17th century. The complete legend, encircling a heart, reads: "IOSEPH COPELAND/1675/CHUCKATUCK." (Chuckatuck is a small Virginia village in Nansemond County, about 30 miles southeast of Jamestown.) Joseph Copeland later moved to Jamestown where he was caretaker of the statehouse from 1688-91. He may have made pewter in Virginia's first capital. His matchless spoon found in the old Jamestown soil is the oldest dated piece of American-made pewter in existence.

All the best stories in the world are but one story in reality--the story of an escape. It is the only thing which interests us all and at all times--how to escape. The stories of Joseph, of Odysseus, of the prodigal son, of the Pilgrim's Progress, of the "Ugly Duckling," of Sintram, to name only a few out of a great number, they are all stories of escapes. It is the same with all lovestories. "The course of true love never can run smooth," says the old proverb, and love-stories are but tales of a man or a woman's escape from the desert of lovelessness into the citadel of love. Even tragedies like those of OEdipus and Hamlet have the same thought in the background. In the tale of OEdipus, the old blind king in his tattered robe, who had committed in ignorance such nameless crimes, leaves his two daughters and the attendants standing below the old pear-tree and the marble tomb by the sacred fountain; he says the last faint words of love, till the voice of the god comes thrilling upon the air: "OEdipus, why delayest thou?"

As if fames were the relics of seditions past; but they are no less, indeed, the preludes of seditions to come. Howsoever he noteth it right, that seditious tumults, and seditious fames, differ no more but as brother and sister, masculine and feminine; especially if it come to that, that the best actions of a state, and the most plausible, and which ought to give greatest contentment, are taken in ill sense, and traduced: for that shows the envy great, as Tacitus saith; conflata magna invidia, seu bene seu male gesta premunt. Neither doth it follow, that because these fames are a sign of troubles, that the suppressing of them with too much severity, should be a remedy of troubles. For the despising of them, many times checks them best; and the going about to stop them, doth but make a wonder long-lived. Also that kind of obedience, which Tacitus speaketh of, is to be held suspected: Erant in officio, sed tamen qui mallent mandata imperantium interpretari quam exequi; disputing, excusing, cavilling upon mandates and directions, is a kind of shaking off the yoke, and assay of disobedience; especially if in those disputings, they which are for the direction, speak fearfully and tenderly, and those that are against it, audaciously.


[ Sec 10 Part 01 ] [ Sec 10 Part 02 ] [ Sec 10 Part 03 ] [ Sec 10 Part 04 ] [ Sec 10 Part 05 ]
[ Sec 10 Part 06 ] [ Sec 10 Part 07 ] [ Sec 10 Part 08 ] [ Sec 10 Part 09 ] [ Sec 10 Part 10 ]


This page is Copyright © Zaproburno Yollanica and all rights are reserved. Please don't copy without proper authorization. References to other Web sites are not endorsements. Zaproburno Yollanica offers no warranties regarding the quality or content of other sites that Zaproburno provides any links to. Links do not mark special relationships or really mean anything in particular. Zaproburno provides links for reference and/or as a courtesy. Nothing more.