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Zaproburno Yollanica Directory 11
Page 04
Dr. B. Dernburg says that the one-sidedness of the Belgian inclination is indicated by the placing of all Belgian fortresses on the eastern frontier. The distinguished statesman (apparently confused by the ardor of discussion) has already in another article, published in The Independent of Dec. 7, 1914, placed Antwerp at the mouth of the Rhine; today he places Namur on the German frontier, whereas that fortress is situated near the frontier of France. There are three fortresses in Belgium--Antwerp, Liege, and Namur. Antwerp is in the north, Liege in the east, and Namur in the south. Namur, being near the French frontier, could menace Germany only in case the Germans should have penetrated about one-third of Belgium. It is, in fact, a fortress against France.
Some of Charles's counselors and ministers of state were disposed at first to remonstrate with him for laying commands on his wife, with which, as they expressed it, flesh and blood could not comply. He, however, peremptorily silenced all their expostulations, and required them, as they valued his favor, to aid him in effecting his purposes. Good natured as he was, his determination was fully aroused, and he was now resolved to compel the queen to submit. He wrote a letter to Lord Clarendon, in which he declared his absolute and unalterable determination to make Lady Castlemaine "of the queen's bed chamber," and hoped he might be miserable in this world and in the world to come if he failed in the least degree in what he had undertaken; and if any one of his friends attempted to thwart or impede him in it in any way, he would make him repent of it as long as he lived. The king concluded his letter with asking Clarendon to show it to some others concerned, that they might all understand distinctly what they were to expect.
Then again there seem to me to be some simply coarse, obscene, unpleasant passages, not of relentless realism but of dull inquisitiveness. They do not attract or impress; they do not provide a contrast or an emphasis. They simply lie, like piles of filth, in rooms designed for human habitation. If it is argued that art may use any materials, I can only fall back upon my belief that such passages are as instinctively repulsive to the artistic sense as strong-smelling cheeses stacked in a library! There is no moral or ethical law against such a practice; but the aesthetic conscience of humanity instinctively condemns it. When I examine the literature which has inspired and attracted the minds of humanity, whether trained or untrained, I find that they avoid this hideous intrusion of nastiness; and I am inclined to infer that writers who introduce such episodes, and readers who like them, have some other impulse in view, which is neither the sense of beauty nor the perception of art. But if Whitman, or anyone else, can convert the world to call this art, and to enjoy it as art, then he will prove that he understands the law of preference better than I do.
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