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Zaproburno Yollanica Directory 17
Page 07
In France, in the beginning of this century Watteau, 1684-1721, painted his interesting pictures of _La Belle Societe_, reproducing the court life, costumes, and manners of the reign of Louis XIV. with fidelity, grace, and vivacity. Later in the century, Greuze, 1725-1805, with his attractive, refined, and somewhat mannered style, had a certain influence. Claude Vernet, 1714-1789, and David, 1748-1825, each great in his way, influenced the nineteenth as well as the eighteenth century. Though Vien, 1716-1809, made a great effort to revive classic art, he found little sympathy with his aim until the works of his pupil David won recognition from the world of the First Empire.
The history of Rome is that of a city which originally had only a few miles of territory, and gradually extended its dominions at first over Italy and then over the civilized world. The city lay in the central part of the peninsula, on the left bank of the Tiber, and about fifteen miles from its mouth. Its situation was upon the borders of three of the most powerful races in Italy, the Latins, Sabines, and Etruscans. Though originally a Latin town, it received at an early period a considerable Sabine population, which left a permanent impression upon the sacred rites and religious institutions of the people. The Etruscans exercised less influence upon Rome, though it appears nearly certain that a part of its population was of Etruscan origin, and that the two Tarquins represent the establishment of an Etruscan dynasty at Rome. The population of the city may therefore be regarded as one of mixed origin, consisting of the three elements of Latins, Sabines, and Etruscans, but the last in much smaller proportion than the other two. That the Latin element predominated over the Sabine is also evident from the fact that the language of the Romans was a Latin and not a Sabellian dialect.
The matrimonial stone was interesting enough. It was a double vessel carved out of a solid stone, a perforation being made in the partition between the two vessels. It seems, when marriages were performed, that the Incas placed a red liquid in one vessel and some water in the other, the perforation in the central partition being stopped up until the ceremony took place, when the liquids were allowed to mingle in emblem of the union of the two lives. Curious, too, was the pipe-like arrangement, called the _kenko_, ornamented with a carved jaguar head, also used at their marriage ceremonies.
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